Clarence White With The Byrds.

The Byrds – Country Music Fabulous

Though The Byrds underwent many a change in their musical membership within the band over the years, they were the single American band that could ever compare in any way to the greatness of the British Invasion bands such as The Beatles, The Rolling Stones, andLed Zeppelin.  The early incarnation of The Byrds was fabulous and legendary – they pioneered Folk Rock, and made some obscure Bob Dylan greatness more palatable for everyone.  When asked who their favourite American band was, the members of The Beatles had answered, “The Byrds.”  The original version of The Byrds was legendary, and created some of the finest music of the 1960′s, but it was rather short lived, and the version of the band that included legendary guitarist Clarence White would outlive the original by far – Clarence white would become the member with the longest tenure save founder Roger McGuinn.

Clarence White

While the album Sweetheart Of The Rodeo was not the first album in which the great Clarence White appeared with The Byrds, and neither was it the first album by that band that featured straight up classic country music styling, it was absolutely an album completely of traditional country music by very non traditional musicians.  Fiddle, traditional acoustic guitar rhythm by the world’s finest practitioner  of such, slide or pedal steel guitar, mandolin, and even banjo would soon become the canvas of the band – quite different from the sort featured with epic hippie master-works such as Eight Miles High.  Besides guitar genius Clarence White, and the other great talents The Byrds had to offer, Gram Parsons was along for the ride on this one, and though his ride and the ride of Clarence White would both be short lived, as Bill Hicks famously made us all aware much later, It’s Just A Ride!

The Byrds:  Live At The Filmore

But Clarence White was not just an acoustic guitarist, but also one of the most innovative electric guitarist in the history of the instrument, and to showcase that was why he joined and was hired by The Byrds, and perhaps the album Live At The Filmore was the album that showcased all he had to offer with his Fender Telecaster and his B Bender wonder tool.  He left everyone drooling for more, and bewildered totally.  Even persons such as Jimmy Page were heard around the world saying, “How The Devil Does He Do That?”  Especially featured within the new context was the Bakersfield sound and the style was perfect for Clarence White, ever the neo traditionalist within his chosen genre.

The Byrds: Untitled

With the double Untitled album the music of The Byrds seemed to meld together all of the elements that made them great, they fused hippie era sensitivities  with country rock, and also some of their psychedelic acid rock themes.  Half the album was recorded live, while the other half was new studio releases.  The image on the cover was surely meant to be “trippy,” and the year was 1970, the 60′s might have been over, but hippies don’t just up and change with the dates.  Some of the highlights of the album come in the form of Easter philosophical themes in the lyrical content, and of course, the famous Chestnut Mare – a song about the love of horses.

Now pretty often the guitar playing of Clarence White wounded up buried in the mix from the studio, and despite how unforgivable this all is, it is done, and until someone remixes the master tapes for us all, we have to deal with it.  Guess what?  The music is all terrific just the same.

Let's hear some!

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The Jasmine Model Acoustic Guitar by Takamine

The Jasmine, by Takamine

Years ago while living in a large, communal recovery house in Dallas, Texas; called "The Reiger House," on Reiger Avenue, I had made arrangements with the owners of the place to have a friend of mine who'd just got back from a walking tour of Europe's heroin usage areas move into my room. Nobody got a room to themselves there - so it's probably best to have a roomate that you already know. Better the devil you know than the devil that you don't. Something like that. The room mate situation wasn't so terrible though - he brought with him an acoustic guitar, a "Jasmine" model by Takamine. I swear to you - I couldn't have been more pleased with my new room mate, the Takamine Jasmine - it's a great guitar to have in such places, and any other place that one will go!

The Jasmine Acoustic Guitar By Takamine

Source: http://images.amazon.com/images/G/01/musical_instr...

Another Example of a Jasmine, By Takamine.

Source: http://www.guitar-museum.com/uploads/guitar/97/260...

The Jasmine Acoustic Guitar, By Takamine.

Let me let you all in on a few differenent secrets here - no conspiracies, just facts; I'm a huge fan of high end, very expensive acoustic guitars. But here is a simple fact for you - you don't need a two thousand dollar guitar to be a good guitarist, have a tremendous amount of fun, or even to learn some very professional level musicianship skills on acoustic guitar. Here's another secret for you - in this day and age I'm all for buying American made products, and you should be too; but there's also something to be said for getting what you want out of the money you spend, and the best deals on great, beginner to intermediate level acoustic guitars are all guitars made in Japan by companies like Takamine, Yamaha, and Alvarez.

Look, I have no idea what kind of money that you have. I'm gonig to assume here that you're strapped to the max like I am, and that if you spent one to five thousand dollars on that Martin Guitar that you've always dreamed of - that if that thing came up missing, was burned in a house fire, etc, etc, etc - it would be just as devestating to you as it would be for me. I know about such worries - I have some guitars that I literally think that I could flip out completely on you, or on anyone should something happen to them. When I went to stay in Northern California last year my friend/host over there begged me to bring my Santa Cruz Guitar. I said,

"HELL NO. My Santa Cruz ain't riding in the back of nobody's pick up truck - it's the most precious thing that I own."

All I needed was THIS guitar, the Jasmine by Takamine - if I had had one of these, I'd have travelled to California with a guitar, and played the whole time I was there. I didn't have one. I lost out. I could have spent my days down at the Seaside, California Barnes and Nobel, or Starbucks drinking coffee, playing guitar, and collecting one to twenty dollar bills in my Minne Tonka Fedora hat for tips.

It literally could have PAID my way. When I went to beautiful San Francisco, and walked the streets of that magical la la land, I perused many a poor redneck like myself on the street corner collecting money for playing a cheap Japanese guitar just like the Jasmine by Takamine. Those guys all seemed to sneer at me in hindsight, as they pocketed MY cash.

Source:http://cachepe.zzounds.com/media/jasmine_takamine-...

Everybody needs a Jasmine Guitar by Takamine

Are you interested in finding out if you have any talent for playing guitar, but don't want to spend a lot of money on something that you might not get into, but you don't want to not have a legitimate guitar? The Jasmine by Takamine is for YOU.

Are you thinking about buying a guitar for a child that may or may not take to being a serious student of the instrument, or of music - but you don't want to buy him or her something that isn't any good? The Jasmine by Takamine is for YOU.

Are you a real guitarist, and need a real guitar that you aren't afraid of getting scratched up down at the deer lease, but your deer hunting buddies demand that you bring a guitar? The Jasmine by Takamine is for YOU.

Are you a traveler heading off on a journey, and you don't know when you'll return, or if you'll return at all - and you don't want to risk the family heirloom guitar on such a fateful and unpredictable journey? The Jasmine by Takamine is for you?

Do you just need a campfire guitar to sing Kumb ba Ya My Lord for the kid - owe's? Jasmine by Takamine is for YOU.

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Doc Watson - Folk, Blues, Bluegrass; and musical integrity.

Doc Watson and Musical Integrity.

When I think about America today I'm overcome with sadness for everything that has been lost. People have lost most of the values that made the nation strong - they've mostly all fallen prey to massive amounts of propaganda at the hands of some trillionaires and the completely corrupt mass media cartel of criminals that monopolize all of it.

Divide and conquer. Divided houses will not stand.

But when I think of persons still living that have made a difference - persons of integrity, I then think of people like Noam Chomsky, Ron Paul, and the musical legend - Doc Watson.

Just what is it, young man, that makes you think that Mr. Arthel Lane "Doc" Watson such a man of what you call "integrity?"

Gosh, there couldn't possibly be an easier question for me to answer! Look at what is passed off as "music" by today's media! You have to be young and very pretty to get any attention - AS IF someone's physical level of attraction ever had anything to do with music or musicianship! I almost vomit every time I turn on the radio - have you ever actually heard top 40 "music" for what it is? It's a bunch of sensationalist garbage that someone other than the singer nearly always wrote, the singer must first be a model - and the content of the lyrics is entirely based in sensationalist materialism or lasciviousness that is altogether useless, and mostly forgotten after only a year's time!

The "music" is created by someone other than the singer - who didn't even write the lyrics, and is only a model - and typically doesn't involve any actual musical instruments, but rather, samples and electronic noise tracks created by machines. What would these "musicians" do without their means of amplification, their professional song writers? Would they even be attractive to the legions of media zombies without their tailors, their make up artist, their hair stylist, and the professional photographers? I think not!

Doc Watson is the opposite of every single bit of corruption and lack of talent or integrity found in Rupert Murdoch music land. Doc was born dirt poor in Deep Gap, North Carolina - and became blind before his first birthday due to an eye disease - the peculiar squint of Doc Watson, the fact that he requires no sort of electronics or electricity to perform, and that he was never even truly a professional musician until he was forty years of age show you just where we are as a nation, and where mass media has taken us.

Today's fake musicians who are only models representing the gods of consumerism, materialism, and abiding by the ethos of Live Fast and Leave a Pretty Corpse - that's the best they can hope for. Doc Watson, however, is in his 90's now, and has legions of admirers that actually do love him, and care for him. Very different indeed!

Doc Watson

Source: http://userserve-ak.last.fm/serve/252/177396.jpg

Little Orphan Girl, By Doc Watson

Doc Watson - Little Orphan Girl - Lyrics.

"No home, no home," said a little girl
At the door of a rich man's home.
She trembling stood on the marble steps,
And leaned on the polished wall.

Her clothes were thin and her feet were bare,
And the snowflakes covered her head.
"Let me come in," she feebly said,
"Please give me a little bread."

As the little girl still trembling stood
Before that rich man's door,
With a frowning face he scornfully said,
"No room, no bread for the poor."

Then the rich man went to his table so fine
Where he and his family were fed.
And the orphan stood in the snow so deep,
As she cried for a piece of bread.

The rich man slept on his velvet couch,
And he dreamed of his silver and gold,
While the orphan lay in a bed of snow,
And murmured, "So cold, so cold."

The hours rolled on through the midnight storm,
Rolled on like a funeral bell,
The sleet came down in a blinding sheet,
And the drifting snow still fell.

When morning came the little girl
Still lay at the rich man's door.
But her soul had fled away to its home
Where there's room and there's bread for the poor.

The Doc Watson Sculpture.

Source:http://upload.wikimedia.org/wikipedia/commons/thum...

Doc Watson - Guitar Virtuoso.

I remember years ago my uncle Tom, my Grandmother, and I took a trip to Winston Salem, North Carolina. I truly felt there as though I were in the region where the type of music that I enjoy playing and was brought up playing was truly known and appreciated. I picked up Doc Watson's album Then and Now, and a few others. On the long drive back to Texas my Grandmother even joined me in singing along to Corina Corina! I'm positive that not many people these days sing songs with their Grandmothers. I suspect that the lyrics of T.I. and "lady" gag uh are not sufficiently trans generational, and that is because they are only garbage, and will burn like so much chaff in the end.

But Doc Watson has been an American Musical Legend since the 60's Folk Music Revival, and he'd only spent the first 40 years of his life cutting his teeth in preparation for that. The man toured the United States and the world for decades after the Folk Revival stardom came and went, and he even did so with his son, Merle Watson, at his side. Merle, a wonderful musician in his own right, died doing honest work on a tractor on the Watson family farm - but the Watson musical legacy never died. Doc lives on, and has recorded with his grandson, Richard Watson - a guitarist after his father, and his grandfather's hearts.

Doc and Merle Watson

Source: http://ecx.images-amazon.com/images/I/513M3zW%2B30...

Windy And Warm, by Doc Watson

The Music Of Doc Watson

There is much to be said for the abilities and the aptitudes of a blind man determined to feed his family that once made a living tuning pianosby ear. How many strings are there on a piano to tune, heck, I don't know - but when you've such an acute sense of sound as that, then a mere six strings is going to be somewhat less challenging for you.

The music of Doc Watson is as vast and varied as his talent. While he brought the term flatpicking to the forefront of Americana almost single handed; he'd also brought his harmonica playing, fingerpicking, and country blues to the masses of white Americans who'd never heard the black musicians years before persons like Eric Clapton, and bands like Fleetwood Mac ever were heard. Doc Watson is Folk, Doc Watson isBluegrass, Doc Watson is Country, and Doc Watson plays the blues.

While tunes such as Windy and Warm will forever be fingerpicked country blues standards, the lightening fast fiddle tunes such asBlack Mountain Rag will forever be what legions of country boys like myself have the most appreciation for. We all want to play that one at some point or another - and we flatpickers can not help this - all the while we know that we can't really every make that tune ours. Doc Watson wouldn't have you believe that the song is his, but we insist that it is his, and will never belong to anyone else - EVER.

Doc Watson - Black Mountain Rag!

Bill Monroe and Doc Watson

Source:http://img.mp3mixx.com/images/covers/31/315844/art...

Folk Archivist Ralph Rinzler on Doc Watson.

• Doc Watson (Liner Notes by Ralph Rinzler) (Excerpt)
  In anticipation of the catch phrases which writers tend to pin to artists of all sorts, let's begin by pointing out that Doc Watson is not "the real thing,'' ''genuine article,'' a ''pure folk singer.'' Even before his appearance on the concert stage

Doc Watson - Playing Guitar.

Bill Monroe is nearly always calledThe Father of Bluegrass, and Monroe and Watson recordings are available online and in stores. In fact - some of the most amazing and prolifically fast or up tempo fiddle tunes I've ever heard on record were when Bill and Doc played together. But Bill Monroe had become alarmed when he'd heard that the blind Doc Watson would often do carpentry work with power tools, hammers, and saws. Doc Watson even built himself a shed at one point - by himself. Perhaps sight is over rated in some cases. Monroe had told Doc Watson that he should take better care of his hands, to which Watson famously replied,

"Bill, the good Lord made my hands for more things than picking a guitar."

As stated before here, Doc Watson was a major proponent of bringing black or African American country blues to the fore for white audiences who otherwise would never have listened to any of it. He opened the door in a similar manner to bringing the Black men and women of the blues to white audiences in the same way that Eric Claptonhad done on the electric side of the fence. When questioned about it Watson had this to say,

"I'll tell you, I was exposed to quite a bit of black music, because mountain folk sat kind of in the middle of the road on that. My dad taught us to respect a man because he was a man."

Sure, that isn't so strange nowadays - but you must realize that Watson is in his 90's now, and that playing black country blues in what was surely near all white audiences in the 1960's -was a pretty big deal!

When asked if he was a musical prodigy Doc Watson had this to say about learning to play the guitar,

"It took a lot of hard work, but I had a knack for memorizing certain phrasings and sounds. I'd learn the tunes and words to songs off of old 78 records my family would play, from the time I was a very little boy."

In this text capsule my source for the Doc Watson quotes is the Spring 1990 GuitarEXTRA! magazine, and the interviewer was Gordon Ely.

For anyone interested in my opinion of what is the finest recordings featuring Doc Watson - then I encourage them to purchase the first and original Will The Circle Be Unbroken album by the Nitty Gritty Dirt Band. The Gallagher Guitar that Doc used for that album, by the way, "Old Hoss," can now be found in the Country Music Hall Of Fame.

But Doc Watson is a pure entertainer - and the video below is the best thing I can find that exposes all of his many skills in the best possible way - save only that I haven't found one of Doc Watson and his harmonica work. Enjoy!

Doc Watson - Tennessee Stud

Doc Watosn - Deep River Blues

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David Bromberg, Guitars, Fiddles, and Storytelling.

David Bromberg

David Bromberg is the kind of guy that whether you've heard of him or not, it doesn't matter, the chances are extremely high that you've at some point or another heard him. Though his very name is a big name for those who are into folk music, bluegrass, blues, or virtually any musical form employing an acoustic guitar - it's the sheer volume of recordings that David has appeared on that guarantee that one has very likely heard his playing at some point in time.

You see, Bromberg's chameleon ability, his ability to represent most any style of music not just passably, but WELL has allowed him to play with virtually anyone, and on a great many studio albums as a sessions guitarist. He's also performed live with many a big name musician from the 60's and 70's.

A Younger David Bromberg.

Source: http://upload.wikimedia.org/wikipedia/commons/thum...

Mr. Bogangles.

The song Mr. Bogangles is especially well known. The song was written by Jerry Jeff Walker, and featured David Bromberg on acoustic flatpicked guitar in it's original recording. The song about a drunkard from my own home town, Kaufman, Texas; and his chance meeting in a jail cell in New Orleans with the author of the tune - Jerry Jeff Walker, is a favorite of a great many persons.

Count David Bromberg in as one of the song's biggest fans, he does a splendid version of it himself.

Mr. Bojangles, By David Bromberg.

David Bromberg and the American Violin

• http://www.allthingsstrings.com/News/Interviews-Profiles/Musician-David-Bromberg-s-Amazing-Selection
  "I HAVE BEEN CALLED FOR INFORMATION on American violins by nearly every shop in the world. I have the collection and I guess I became the default expert," says violin dealer David Bromberg. You mean, that David Bromberg?

David Bromberg and The American Violin

Now, if you didn't listen to Bromberg's Mr. Bojangles, then you just completely missed out on virtually everything that this article is about. It's easy for those who did listen to that, and I apologize that it's not much of a video, but rather, a sound track - to be amazed at how engaging a storyteller the man is. He might not be the world's greatest vocalist, but damn if he might not just be one of the world's finest story teller's who sets his stories to music!

Also, the guitar solo at the very end of the thing - was so lyrical as to sound like someone singing, and he probably did that off the cuff, improvised over the chords. Though it wasn't technically sophisticated...music is about music!

Now, if you've surmised that David Bromberg is an American of Jewish descent who grew up in or around New York City - gosh, aren't you bright? Well, that much might have been fairly obvious, but what is totally un assumable is that Bromberg the guitarist, is probably the world's leading authority on American Made Violins. Not only does he have one of the most valued collections, but he's also studied their construction, and their history to the extent of being called upon the world over for opinions, advice, or details concerning violins made in the USA.

Yes of course David plays the fiddle or violin, he only owns the world's single largest collection of American Made Violins or "fiddles." No, I've never heard him play the fiddle, but he's officially a fiddle dealer, as well as a guitarist, performer, and storyteller.

The man is a modern BARD that multi tasks a bit.

Bromberg In Texas

David Bromberg and His Martin M 42 Acoustic Guitar.

Source: http://www.bluegrasstoday.com/wp-content/uploads/2...

David Bromberg.

So anyways, anyone can go meet David Bromberg - but I suggest that you be a customer or serious shopper when going inside the violin shop of the world's foremost authority on American made violins. But he might be such a nice guy that he doesn't mind people walking in just to say that they've met him.

Given the opportunity - I would do exactly that, go inside the man's violin shop just to maybe shake his hand, and say,

"Sir, I've always appreciated your music."

One of the things that Bromberg has always considered a point of pride, and this is unique, is that he's said to have never allowed himself to be topped by a heckler. Now, I don't know what kind of person pays to see a show just to heckle someone - but Bromberg has probably played a lot of shows in his life, and probably a lot of them were either free, or shows in which he or whoever he played with were not the headline act. Truly, the man has a presence.

Bromberg, of course, is primarily a guitarist, and primarily plays the Martin acoustic guitar that was designed for him, The Martin M 42 - and no the "M" doesn't stand for Martin, but rather the size and shape of the instrument. The first video here features Bromberg doing some beautiful and lyrical traditional bluegrass type picking, and the second video features the pure hilarity showmanship of Bromberg and some blues guitar playing. He also fingerpicks very well, and as I close out what I hope to have been a nice enough introduction to a musician that you maybe hadn't heard of, it should behoove me to include some Bromberg fingerstyle guitar playing.

David Bromberg on African American Churches and Playing Fingerstyle Blues.

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The Martin 000-28EC - The Martin Eric Clapton Signature Series Acoustic Guitar.

The Martin Eric Clapton Guitar.

Virtually everyone everywhere in the English speaking world knows exactly who Eric Clapton is. This is exactly as it should be, in my opinion, for the man is a music legend the likes of which only comes around once. I've been very pleased to have seen Eric Clapton twice in my lifetime live, and both shows were outstanding, and very memorable. I'll never forget either one of them, and enjoyed the second one even though I was seated at the rear of the stage, and watched it looking at Clapton and Crew's backsides at Reunion Arena in Dallas. Reunion has since been imploded, and now, should you wish to catch a great concert in the Dallas area - You'll be seeing someone like Eric Clapton play at the American Airlines Centre.

The Martin 000 28EC

A Martin 000 28EC and Some Blues! Eric Clapton Surely Approves Of This Video!!

Eric Clapton And His 000 28EC!!

Source: http://t1.gstatic.com/images?q=tbn:ANd9GcQerR6h98n...

A 000 28ECB

Source:http://www.imagineguitars.com/archive/acoustic/008...

The Martin 000 28EC

So what is a Martin 000 28EC? Well any time that you see a "28" in regards to a Martin guitar model number, you know that you are looking at, or reading about a guitar with "28" appointments, and that means that the guitar in question is of solid rosewood back and sides, solid spruce top, or "sound board," mahogany neck, ebony fingerboard, and abalone inlay fret markers.

The "000" refers to the size of the body of the instrument, and it also means that it is a smaller guitar than a "D" model, or "Dreadnought" and larger than a "00" model.

Basically, the 000 28EC is a guitar that is closer in size to a traditional "Spanish Guitar," but has a thinner body, wider fretboard, and is made to Martin's famous "28" appointments. Now, I didn't realize this before looking over the Wikipedia article about C.F. Martin & Company, but it says in that article that there are actually FIVE Eric Clapton model Martin Guitars. I'm going to have to research that a little bit to find out what the other three are, but the second that I do know of is the 000 28ECB.

Every Martin guitar with a "28" in the model name is a guitar with all solid wood construction, and Rosewood backs and sides, and Spruce soundboard. The 000 28ECB is the same, but the "B" stands for Brazilian rosewood, which is used on that guitar instead of East Indian Rosewood. Most people find that Brazilian Rosewood, with it's strange patterns and colourful variations, is a more beautiful tonewood than is East Indian Rosewood. The fact of the matter is that Brazilian Rosewood is an endangered species of tree, and because of that, and supply and demand economics, Brazilian Rosewood is a MUCH more expensive tonewood. Also, not everyone can hear the difference between a Brazilian Rosewood guitar and an East Indian Rosewood guitar - but there IS a difference in the tonality that those two fine species of rosewoods produce in acoustic guitars. I can hear it, but I've got trained ears for it.

What is slightly different in the 000 28ECB is that even though most Martin acoustic guitars that feature Brazilian Rosewood also feature either an Engleman Spruce, or Adirondack Spruce soundboard, the Martin 000 28ECB features the standard Sitka Spruce soundboard - clearly, Eric Clapton prefers Sitka Spruce soundboards to the German Engleman Silver Spruce and the Adirondack Red Spruce that are often thought of as "superior" tonewoods for soundboards by other players. I've personally owned guitars with Adirondack Spruce soundboards, and there is a very slight visual difference in that tonewood and Sitka Spruce, I've not ever been able to truly say that I can hear a difference between them.

It goes without saying that both the 000 28EC and the 000 28 ECB are both OUTSTANDING acoustic guitars, but it's also pretty obvious that Eric Clapton's personal guitar is the Brazilian Rosewood model, the 000 28ECB.

These guitars are also available in sunburst finish, as are all Martin acoustic guitars with a solid spruce top.

Eric Clapton's signature is featured between the nineteenth and twentieth frets in mother of pear.

Martin Acoustic Guitars, and the 000 28EC.

Like all solid wood construction acoustic guitars by the legendary American Guitar Manufacturer, C.F. Martin & Company, both the Martin 000 28EC and the Martin 000 28ECB are exceedingly fine instruments that come with a lifetime warranty to the original owner. These are guitars that, if properly cared for, will not only last you a lifetime, but will become heirlooms for whoever in your family that you leave such a fine instrument to. These guitars aren't cheap, and they aren't inexpensive either. These are a professional's instrument - not just campfire beaters. Eric Clapton recorded his fabulous Unplugged album with one of them, and probably he's recorded a whole lot more with his as well.

These guitars are described as "a fingerpicker's dream," and I'm sure that that statement is accurate enough - but there's no reason that a flatpicker couldn't spend a lifetime flatpicking the daylights out of one too. After all, champion flatpicker Steve Kaufman regularly plays some 000 sized instruments, as well as his Dreadnought sized flat top steel string acoustic guitars. I've personally had my hands on at least two Martin 000 28EC guitars, and loved the hell out of both of them. I don't talk about or write about guitars that I've NOT had my hands on. I'd recommend one of these to anyone who's in the market for a fine, lifetime instrument, and who's to say just how much one of these guitars could appreciate in value. What's certain is that if it's not dinged up, it won't depreciate in value at all. What this is is another fine instrument from C.F. Martin & Company that will be desirable and sought out for the rest of our days.

This Hub was last updated on July 12, 2012

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